Comunicato Stampa disponibile solo in lingua originale.
The omnipresent attraction that emanates from artistic work is woven into a complex politics of viewing, which is accompanied by a considerable temptation / danger to get lost in the objects. The transition from bait to bait is fluid. But what makes this attraction of supposedly beautiful things and what potential does it hold in the context of an exhibition or for the reception of current political issues? Does art production oriented towards market economy relevant luxury objects neglect its own potential? Does she take herself and her entanglements seriously in a social context? Thomas Hitchcock deals with these questions in the exhibition luuuuure, above whose introductory scenario the question of agency buzzes, which is situated between art production and viewing and flows back into its surroundings.
News correlate |
||
Comunicato Stampa disponibile solo in lingua originale. Wien Museum Karlsplatz Open Air1040 #vienna, Karlsplatz 8P: +43 (0)1 505 8... |
BEYOND BAMBIFELIX SALTEN AND THE DISCOVERY OF VIENNESE MODERNISM 15 October 2020 to 25 February 2021Wien MuseumMUSA1010 #vienna, F... |
Comunicato Stampa disponibile solo in lingua originale. Spring 2020: Within a very short period of time, Covid-19 changes our live... |
Ti potrebbe interessare anche |
||
Comunicato Stampa disponibile solo in lingua originale. RICHARD NEUTRACALIFORNIA LIVINGIn October of 1923, a young man from #vienn... |
Comunicato Stampa disponibile solo in lingua originale. WHAT REMAINS: TRACES OF REFUGEES17 May 2018 to 13 January 20191040 #vienna... |
Comunicato Stampa disponibile solo in lingua originale. SKIN DEEP. HAIR DRESSERS, BARBERS, BEAUTICIANS19 April 2018 to 6 January 2... |
© Copyright 2024