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New Exhibitions & Redesigned Collection Display
With freshly installed art on three floors, a virtually transformed #kunstmuseumbasel | Gegenwart awaits visitors starting on November 25, 2017. The focus is on treasures from the Kunstmuseum’s own collections and the Emanuel Hoffmann Foundation as well as three interventions: by Claudia & Julia Müller, Marianne Eigenheer, and, perhaps most strikingly, the artist duo Michael Clegg & Martin Guttmann, whose work is on view in the museum’s skylight hall.
Most galleries are devoted to the works of a single artist, resulting in a harmonious polyphony of installations, films, and expansive creations throughout the museum. The redesigned presentation includes art by Carl Andre, Francis Alÿs, Burt Barr, Louis Cane, Ceal Floyer, Wade Guyton, Steve McQueen, Sol LeWitt, Kilian Rüthemann, Richard Serra, Oscar Tuazon, Mark Wallinger, and Heimo Zobernig.
A special highlight are the interventions by the Swiss artists Claudia & Julia Müller, who have created a new work to complement an earlier piece in the museum’s collection, and Marianne Eigenheer, who was invited to design the room showcasing her art. Clegg & Guttmann revisit a work that was on view at Kunsthalle #basel twenty years ago.
Michael Clegg & Martin Guttmann
120 years after the First Zionist Congress in Basel
Michael Clegg (b. Dublin, 1957) and Yair Martin Guttmann (b. Jerusalem, 1957) have been collaborators since 1980. They studied together in New York and now teach at art schools in Karlsruhe and Vienna.
On occasion of the centennial of the First Zionist Congress in 1997, Clegg & Guttmann created an installation that took up Kunsthalle Basel’s skylight hall. Twenty years later, a reinterpretation of the ensemble will now be set up at the #kunstmuseumbasel | Gegenwart.
Convened by the leading Zionist Theodor Herzl, the 1897 congress brought together young Jewish men at the Stadtcasino in #basel to discuss his vision of a future Jewish state. A century later, Clegg & Guttmann worked with a group of historians from the University of #basel to shed light on the prevailing political and social atmosphere in which the congress had taken place. The primary challenge, they found, was to translate historic material into vivid visual experience;
they interwove documents with their own creative interpretations, as in a reading room in which turn-of-the-century newspapers, books, and brochures were on display. Synthesizing scholarly and artistic modes of representation, their installation encouraged visitors to immerse themselves in the historic circumstances and events, while transplanting the material into the art context prompted a shift of perspective, raising the question of how we construct history and generate knowledge.
The revised installation at the #kunstmuseumbasel | Gegenwart not only coincides with the First Zionist Congress’s 120th anniversary—a memorial celebration in #basel scheduled for this year had to be canceled at the last minute. It is also an illuminating companion piece to the exhibition Chagall. The Breakthrough Years, 1911–1919 which is concurrently on view at the #kunstmuseumbasel and includes ethnographic photographs by the Russian photographer Solomon Yudovin. Portraying early-twentieth-century life in the shtetl in all its facets, they shine a light on a traditional yet also profoundly precarious social reality that has been and still is crucial to the evolving idea of the Jewish state.
Fonds für künstlerische Aktivitäten im Museum für Gegenwartskunst der Emanuel Hoffmann Stiftung und der Christoph Merian Stiftung
With support from:
Laurenz Foundation, Schaulager Foundation for the Kunstmuseum Basel
CLEGG & GUTTMANN
And twelve new spaces
120 JAHRE NACH DEM ERSTEN ZIONISTENKONGRESS IN BASEL
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